The essay focuses on the discovery of an oil canvas, depicting the Eucharistic Christ, in the monastery of Camaldoli, which has been identified as one side of the processional banner of the company of the Santissima Annunziata of Bibbiena: although it was remembered by Vasari as the work of Giovanni Antonio Lappoli, it must instead be attributed to the hand of Guillaume de Marcillat. The restoration of the painting has stimulated questions and in-depth studies on the relationship between these two masters.
Un "lato" nuovo di Guillaume de Marcillat. Il Cristo Eucaristico di Bibbiena e il rapporto con Giovanni Antonio Lappoli
Grassi, Alessandro
2020
Abstract
The essay focuses on the discovery of an oil canvas, depicting the Eucharistic Christ, in the monastery of Camaldoli, which has been identified as one side of the processional banner of the company of the Santissima Annunziata of Bibbiena: although it was remembered by Vasari as the work of Giovanni Antonio Lappoli, it must instead be attributed to the hand of Guillaume de Marcillat. The restoration of the painting has stimulated questions and in-depth studies on the relationship between these two masters.File in questo prodotto:
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