Sublime voices, tragic Identifications : on two opera re-enactments in
cinema

Fusillo, Massimo

doi:10.1515/9783111636122

The paper deals with two cases of opera re-enactment in the movies, both full of gender and identity strategies: the scene in "Philadelphia" which exalts Maria Callas' tragic voice, and "M. Butterfly" by David Cronenberg, especially the final suicide

Sublime voices, tragic Identifications : on two opera re-enactments in cinema

Fusillo, Massimo

2025

Abstract

The paper deals with two cases of opera re-enactment in the movies, both full of gender and identity strategies: the scene in "Philadelphia" which exalts Maria Callas' tragic voice, and "M. Butterfly" by David Cronenberg, especially the final suicide

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	Anno di pubblicazione
	
				2025
			
	Settore Scientifico Disciplinare (validi fino a 24/06/2024)
	
				Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate
Settore L-ART/06 - Cinema, Fotografia e Televisione
			
	Settore Scientifico Disciplinare (validi dal 09/05/2024)
	
				Settore COMP-01/A - Critica letteraria e letterature comparate
Settore PEMM-01/B - Cinema, fotografia, radio, televisione e media digitali
			
	Titolo del volume
	
				New Approaches to Transcodification.  Literature, Arts, and Media
			
	Editore
	
				De Gruyter
			
	DOI
	
				https://dx.doi.org/10.1515/9783111636122
			
	Parole chiave
	
				OPERA: IDENTIFICATION; CINEMA; RE-ENACTMENT; MARIA CALLAS; AIDS; GENDER; ORIENTALISM;
			
	Appare nelle tipologie:
	
				2.1 Contributo in volume (Capitolo o Saggio)

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