Food, ranging from dinners to edible gardens, has been incorporated into public art projects since the 1960s. Artists as well as contemporary scholars have analyzed the movement’s historical significance, however, the question of its legacy remains open-ended. During the 1990s food became more consistently linked to relational art and social sculpture. This issue addresses food art in the public sphere in the past five decades. The authors present essays, interviews, and artists' projects exploring diverse geographical contexts and power dynamics, looking at long-term and temporary projects, and focusing on participatory, sculptural and conceptual practices.
Public Art Dialogue. Food as Activism in Contemporary Public Art
Margherita d'Ayala Valva
2018
Abstract
Food, ranging from dinners to edible gardens, has been incorporated into public art projects since the 1960s. Artists as well as contemporary scholars have analyzed the movement’s historical significance, however, the question of its legacy remains open-ended. During the 1990s food became more consistently linked to relational art and social sculpture. This issue addresses food art in the public sphere in the past five decades. The authors present essays, interviews, and artists' projects exploring diverse geographical contexts and power dynamics, looking at long-term and temporary projects, and focusing on participatory, sculptural and conceptual practices.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.