Sperandio Savelli from Mantua is best known as the most prolific medalist of the fifteenth century, but documents attest that he also was a renowned sculptor. This essay examines the works in marble and stone which have so far been attributed to the artist, further proposing new attributions and critical considerations. Starting from Sperandio’s most important attested work – the monument for Pope Alexander V in San Francesco in Bologna – the relationships between the sculptor and the Franciscan order are investigated: from his first contacts with the ordo minorum in Lombardy, to his relationship with an influential friar resident in Ferrara, up to the works he modelled for several churches of the Franciscan order. Most of new attributions regards works in terracotta, a material which, owing to its qualities and to its symbolic value, could satisfy both the attitude to humility of the Franciscans and the humanistic taste of the Bolognese noblemen.

Sperandio Savelli da Mantova è noto soprattutto per essere stato il medaglista più prolifico del XV secolo, i documenti attestano però che egli fu anche un apprezzato scultore. Sono dunque qui riprese in considerazione le opere in marmo e pietra che sono state fino a oggi accostate all’artista, alle quali si aggiungono nuove riflessioni e attribuzioni. A partire dall’opera documentata più importante di Sperandio – il monumento funebre per il papa Alessandro V in San Francesco a Bologna – vengono indagati i rapporti tra lo scultore e l’ordine francescano: dai primi contatti con l’ordo minorum in Lombardia, alla parentela con un influente frate residente a Ferrara, alle opere fittili realizzate per chiese dell’ordine fondato dal santo assisiate. Vengono così aggiunte al catalogo dell’artista numerose nuove opere, soprattutto in terracotta. Un materiale che, con le sue qualità e simbologie, poteva soddisfare sia la vocazione all’umiltà dei francescani che il gusto umanistico dei nobili bolognesi.

L’attività scultorea di Sperandio Savelli: marmi, terrecotte e committenze francescane

Scansani, Marco
2019

Abstract

Sperandio Savelli from Mantua is best known as the most prolific medalist of the fifteenth century, but documents attest that he also was a renowned sculptor. This essay examines the works in marble and stone which have so far been attributed to the artist, further proposing new attributions and critical considerations. Starting from Sperandio’s most important attested work – the monument for Pope Alexander V in San Francesco in Bologna – the relationships between the sculptor and the Franciscan order are investigated: from his first contacts with the ordo minorum in Lombardy, to his relationship with an influential friar resident in Ferrara, up to the works he modelled for several churches of the Franciscan order. Most of new attributions regards works in terracotta, a material which, owing to its qualities and to its symbolic value, could satisfy both the attitude to humility of the Franciscans and the humanistic taste of the Bolognese noblemen.
2019
Settore L-ART/02 - Storia dell'Arte Moderna
File in questo prodotto:
File Dimensione Formato  
XXIII_2019_SCANSANI SPERANDIO MEMOFONTE.pdf

Accesso chiuso

Tipologia: Published version
Licenza: Non pubblico
Dimensione 5.88 MB
Formato Adobe PDF
5.88 MB Adobe PDF   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11384/105847
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact