This paper examines a specific case of the dynamics of word/image, cinematic adaptation, and in particular connection with a recent movie, William Oldroyd's Lady Macbeth, taken from a short story by Leskov. The movie offers a significant example of a pictorial and elliptical style, which deeply exploits the narrative force of details, single pregnant shots, and short sequences, activating an uncanny negative empathy towards the protagonist.
Allusioni, ellissi, dettagli : sul narrare pittorico di "Lady Macbeth" (UK 2016)
Fusillo, Massimo
2017
Abstract
This paper examines a specific case of the dynamics of word/image, cinematic adaptation, and in particular connection with a recent movie, William Oldroyd's Lady Macbeth, taken from a short story by Leskov. The movie offers a significant example of a pictorial and elliptical style, which deeply exploits the narrative force of details, single pregnant shots, and short sequences, activating an uncanny negative empathy towards the protagonist.File in questo prodotto:
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