This paper examines a specific case of the dynamics of word/image, cinematic adaptation, and in particular connection with a recent movie, William Oldroyd's Lady Macbeth, taken from a short story by Leskov. The movie offers a significant example of a pictorial and elliptical style, which deeply exploits the narrative force of details, single pregnant shots, and short sequences, activating an uncanny negative empathy towards the protagonist.

Allusioni, ellissi, dettagli : sul narrare pittorico di "Lady Macbeth" (UK 2016)

Fusillo, Massimo
2017

Abstract

This paper examines a specific case of the dynamics of word/image, cinematic adaptation, and in particular connection with a recent movie, William Oldroyd's Lady Macbeth, taken from a short story by Leskov. The movie offers a significant example of a pictorial and elliptical style, which deeply exploits the narrative force of details, single pregnant shots, and short sequences, activating an uncanny negative empathy towards the protagonist.
2017
Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate
Empatia; dettaglio; cinema; Leskov; adattamento
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11384/138004
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