In Iambus 6 Callimachus describes Phidias’ statue of Zeus to a friend of his about to leave for Olympia. However, as can be inferred from the Diegesis and the fragmentary text of the iambus, the poet does not elaborate on the statue’s iconography, nor does he mention the impression which it made on the viewers within the temple setting. Instead, he focusses solely on its measurements and technical details. This article sheds new light on this much-debated poem by exploring its playful and humorous tones within the broader context of Callimachus’ poetical and aesthetic principles. It argues that Callimachus deliberately avoided providing a literary ekphrasis of Phidias’ Zeus akin to other known examples of Hellenistic ekphrasis and to other ekphraseis of divine statues which Callimachus offered in the Iambi and the Aetia. By doing this, he avoided crafting a too loudly resounding poem, thereby adhering to his own poetical and aesthetic credo.
Describing the Indescribable: Callimachus, Iambus 6 and Phidias' Statue of Zeus
Papapicco, Antonio
In corso di stampa
Abstract
In Iambus 6 Callimachus describes Phidias’ statue of Zeus to a friend of his about to leave for Olympia. However, as can be inferred from the Diegesis and the fragmentary text of the iambus, the poet does not elaborate on the statue’s iconography, nor does he mention the impression which it made on the viewers within the temple setting. Instead, he focusses solely on its measurements and technical details. This article sheds new light on this much-debated poem by exploring its playful and humorous tones within the broader context of Callimachus’ poetical and aesthetic principles. It argues that Callimachus deliberately avoided providing a literary ekphrasis of Phidias’ Zeus akin to other known examples of Hellenistic ekphrasis and to other ekphraseis of divine statues which Callimachus offered in the Iambi and the Aetia. By doing this, he avoided crafting a too loudly resounding poem, thereby adhering to his own poetical and aesthetic credo.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.