Recent restorations in the cathedral of Volterra have brought to light some fragmentary frescoes in the right transept, referable to a decoration carried out between 1621 and 1622, in occasion of the consecration of the chapel of San Carlo. Some stylistic comparisons make it possible to attribute the ornamental and architectural part to the Florentine workshop of Michelangelo Cinganelli, who was very active for the Medici court, and the figurative compartment with the Creation of Eve to Giovanni da San Giovanni who at the same time was painting the Inghirami chapel in the left transept, before settling for a few years in Rome.

Giovanni da San Giovanni a Volterra : un nuovo affresco e alcune considerazioni

Grassi, Alessandro
2022

Abstract

Recent restorations in the cathedral of Volterra have brought to light some fragmentary frescoes in the right transept, referable to a decoration carried out between 1621 and 1622, in occasion of the consecration of the chapel of San Carlo. Some stylistic comparisons make it possible to attribute the ornamental and architectural part to the Florentine workshop of Michelangelo Cinganelli, who was very active for the Medici court, and the figurative compartment with the Creation of Eve to Giovanni da San Giovanni who at the same time was painting the Inghirami chapel in the left transept, before settling for a few years in Rome.
2022
Settore L-ART/02 - Storia dell'Arte Moderna
Settore ARTE-01/B - Storia dell'arte moderna
Cattedrale di Santa Maria Assunta, Volterra; Giovanni Mannozzi detto Giovanni da San Giovanni; Michelangelo Cinganelli; affresco; pittura a bianco di calce; Cosimo Daddi; Filippo Baldinucci; pittura fiorentina del XVII secolo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11384/152063
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