In this paper I have tried to point out the epistemological paradigm of German Classical Philology, as it has been worked out by Wilamowitz and later redefined by his follower Werner Jaeger, have had a pivotal role in Leo Spitzer's approach to his own work as a romanistic philologue. As a final aim of this enquiry, I try to elighten the implicit dialogue (via Wilamowitz-Jaeger) between Leo Spitzer's idea of 'classical harmony' - as it has been worked out in Spitzer's last and posthumous book, "Classical and Christian Idea of World Harmony" - and Nietzsche's "Die Geburt der Tragoedie".

La filologia classica (e gli antichi) di Leo Spitzer: un caso di negazione nietzschiana

STELLA, Massimo
2011

Abstract

In this paper I have tried to point out the epistemological paradigm of German Classical Philology, as it has been worked out by Wilamowitz and later redefined by his follower Werner Jaeger, have had a pivotal role in Leo Spitzer's approach to his own work as a romanistic philologue. As a final aim of this enquiry, I try to elighten the implicit dialogue (via Wilamowitz-Jaeger) between Leo Spitzer's idea of 'classical harmony' - as it has been worked out in Spitzer's last and posthumous book, "Classical and Christian Idea of World Harmony" - and Nietzsche's "Die Geburt der Tragoedie".
Classical Philology, Tragedy, Theater, Ancient, Modern, Nietzsche, Wagner; Filologia Classica, Tragedia, Teatro, Antico, Moderno, Nietzsche, Wagner
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11384/56707
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