The starting point of the essay are the stylistic and iconographic differences that mark the sculptures once placed above the six gates of medieval Milan. These differences would seem to be indeed the result of a deliberate choice by two different clients and to signify very different political messages. By the end the author makes a proposal about the identification of some saints still unknown which are part of these sculptures.
I gruppi scultorei delle porte milanesi: una forma di comunicazione politica?
Cengarle F
2014
Abstract
The starting point of the essay are the stylistic and iconographic differences that mark the sculptures once placed above the six gates of medieval Milan. These differences would seem to be indeed the result of a deliberate choice by two different clients and to signify very different political messages. By the end the author makes a proposal about the identification of some saints still unknown which are part of these sculptures.File in questo prodotto:
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