The essay tackles the late seventeenth-century origin, the variants and the eighteenth-century diffusion of the expression «i quattro Carli» («the four Carli»), with reference to Carlo Maratti, Carlo Cignani, Charles Le Brun and Carl Loth, presented as the local champions of the Baroque schools of painting respectively of Rome, Bologna, Paris and Venice. Quoted by Luigi Lanzi, the expression was used in its complete formulation (with four and not three Carli) for the first time in a letter of 1764 to Giovanni Gaetano Bottari, published without signature, but referable to Giampietro Zanotti.

I «quattro Carli». Scuole pittoriche e geografia artistica tra Sei e Settecento

Simonato, Lucia
2019

Abstract

The essay tackles the late seventeenth-century origin, the variants and the eighteenth-century diffusion of the expression «i quattro Carli» («the four Carli»), with reference to Carlo Maratti, Carlo Cignani, Charles Le Brun and Carl Loth, presented as the local champions of the Baroque schools of painting respectively of Rome, Bologna, Paris and Venice. Quoted by Luigi Lanzi, the expression was used in its complete formulation (with four and not three Carli) for the first time in a letter of 1764 to Giovanni Gaetano Bottari, published without signature, but referable to Giampietro Zanotti.
2019
Settore L-ART/04 - Museologia e Critica Artistica e del Restauro
Settore L-ART/02 - Storia dell'Arte Moderna
Scuola pittorica – Pittura barocca – Giampietro Zanotti
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11384/79884
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