This paper emphasizes Giulia Ammannati's deciphering of Giotto's earliest praise. In the inscription under the personification of Envy, belonging to the Allegories of Virtues and Vices, which were painted by Giotto in the Scrovegni Chapel in Padua, he was commended for his docta mente. This praise was at the origin of Giotto's literary celebration.

L'esordio della celebrazione di Giotto

Giorgi, Daniele
2017

Abstract

This paper emphasizes Giulia Ammannati's deciphering of Giotto's earliest praise. In the inscription under the personification of Envy, belonging to the Allegories of Virtues and Vices, which were painted by Giotto in the Scrovegni Chapel in Padua, he was commended for his docta mente. This praise was at the origin of Giotto's literary celebration.
2017
Settore L-ART/01 - Storia dell'Arte Medievale
Giotto, Padua, Literary Sources
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11384/85184
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