This paper emphasizes Giulia Ammannati's deciphering of Giotto's earliest praise. In the inscription under the personification of Envy, belonging to the Allegories of Virtues and Vices, which were painted by Giotto in the Scrovegni Chapel in Padua, he was commended for his docta mente. This praise was at the origin of Giotto's literary celebration.
L'esordio della celebrazione di Giotto
Giorgi, Daniele
2017
Abstract
This paper emphasizes Giulia Ammannati's deciphering of Giotto's earliest praise. In the inscription under the personification of Envy, belonging to the Allegories of Virtues and Vices, which were painted by Giotto in the Scrovegni Chapel in Padua, he was commended for his docta mente. This praise was at the origin of Giotto's literary celebration.File in questo prodotto:
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Giorgi__ASNP_9_1_2017.pdf
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