Sophocles Electra 1050–57 and the pragmatics of tragic exits

This article argues for the authenticity of Sophocles Electra 1050–54, deleted in Lloyd-Jones and Wilson’s and Finglass’ editions. After a refutation of scholars’ earlier objections (including Stobaeus’ misleading attribution of 1050–51 to Sophocles’ Phaedra), two substantive arguments are advanced in favor of their retention: (1) in terms of scenic grammar, if 1050–54 were removed, Chrysothemis’ exit would be ineptly unnoticed, in contradiction with Sophocles’ usual handling of exits; (2) in terms of conversation analysis, 1050–54 replicate a pre-patterned sequence ubiquitously found in tragedy to terminate rapid dialogues when exits are involved, whereas their absence would make the closing unjustifiably abrupt.