This study examines the dissemination, within Medici Tuscany during the first decade of the seventeenth century, of the image of Shah Abbas I of Persia as an exemplary ruler and an invincible commander. In particular, it investigates the possible active role of Grand Duke Ferdinando I in constructing and promoting a pro-Persian narrative, furthering not only anti-Ottoman propaganda but also the grand duke’s own political ambitions. Through an analysis of printed texts produced in Florence or connected to the Medici court, as well as manuscript reports, the study reveals how the figure of the shah was politically shaped, anticipating the reputation he would later enjoy in European literature, especially when contrasted with his less celebrated successors.
Il presente studio analizza la diffusione nella Toscana medicea, durante il primo decennio del Seicento, dell’immagine di Shah Abbas I come grande sovrano e invincibile comandante. In particolare, si indaga il potenziale ruolo attivo del Granduca Ferdinando I nella costruzione e promozione di una narrazione pro-persiana, funzionale non solo alla propaganda anti-ottomana, ma anche alle ambizioni del granduca. Attraverso l’esame di alcuni testi a stampa prodotti a Firenze o legati all’ambiente mediceo, nonché di notizie manoscritte, emerge come la figura dello scià sia stata modellata in chiave politica, anticipando la fortuna di cui godrà nella letteratura europea successiva, anche grazie al confronto con i suoi meno celebrati successori.
“Un «nuovo Tamerlano». Costruzione e diffusione dell’immagine eroica di Shah Abbas I nella Toscana di Ferdinando I de’ Medici”
Davide Trentacoste
2026
Abstract
This study examines the dissemination, within Medici Tuscany during the first decade of the seventeenth century, of the image of Shah Abbas I of Persia as an exemplary ruler and an invincible commander. In particular, it investigates the possible active role of Grand Duke Ferdinando I in constructing and promoting a pro-Persian narrative, furthering not only anti-Ottoman propaganda but also the grand duke’s own political ambitions. Through an analysis of printed texts produced in Florence or connected to the Medici court, as well as manuscript reports, the study reveals how the figure of the shah was politically shaped, anticipating the reputation he would later enjoy in European literature, especially when contrasted with his less celebrated successors.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



